Learning about boat design

MANY BOATERS eventually become interested in yacht design — but how do you learn about it? Veteran designer Ted Brewer suggests three methods in his book Understanding Boat Design (International Marine).

In the first place, he says, the hobbyist can simply read about yacht design. That sounds simple enough but it can be confusing because of conflicting theories.  Brewer says that designers “including me, may push their own concept of the perfect hull, layout, or rig. It is important to develop your own ideas based on facts and experience, rather than to accept someone else’s theories.”

In the second place, he recommends the home-study course. “The cost is moderate, but large enough to keep the student working hard at it. “The Westlawn course is good if it is done properly without taking all the easiest options. The Westlawn course requires serious commitment to time and effort, but provides a thorough grounding in small-boat design.”

In the third place is the time-honored college degree from the Webb Institute, M.I.T., Michigan, or another university offering a degree in naval architecture. This is for the serious student only, of course. “Since the emphasis of the university course is on large-ship design, it is not ideal for students of small-boat design, but it does work. Many famous yacht designers have gone that route. The Maine Maritime Academy offers a course in small-craft design that is worth serious consideration as well.”

Finally, Brewer offers this piece of advice:

“Anyone going into the yacht design business should work as a draftsman or assistant for a reputable naval architect for several years to gain practical experience. This is true for university and home-study graduates. Indeed, it is best if the budding designer works for several different architects or builders before he hangs out his shingle because he will gain invaluable experience and practical knowledge from each.”

Today’s Thought

Architects are pretty much high-class whores. We can turn down projects the way they can turn down some clients, but we’ve both got to say yes to someone if we want to stay in business.

— Philip Johnson, Esquire, Dec 80

Tailpiece

Four-year-old Janie had been put to bed for the night when her little brother wandered along and tried to enter her room.
“You can’t come in, Jimmy,” she said, “cos Mom says little boys mustn’t see little girls in their nighties.”
Jimmy went outside, closed the door, and was puzzling about this when the door opened again. “It’s aw wight Jimmy, you can come in now,” said Janie. “I’se tooked my nightie off.”

(Drop by every Monday, Wednesday, Friday for a new Mainly about Boats column.)

Racer/cruisers and vice versa

I WAS THINKING the other day that I need another little Santana 22 sloop.  I owned one about 20 years ago. I turned her into a miniature “sport cruiser” and loved her to bits. She was the first successful  design from the board of Gary Mull, one of my favorite sailboat designers. About 800 Santana 22s were built by the Schock company in California in the late 1960s and early 70s. You’d think there would be at least one still around here in reasonable condition, but if there is, I can’t find it in this neck of the woods.

Mull was one who had very definite ideas about the difference between cruiser/racers and racer/cruisers. He didn’t design either. He simply created what he called “good sailboats.”

He was quoted as saying:  “If you call one a club racer, what you are really saying is that it is a racing boat that isn’t quite good enough to race against the real racing boats. It can only do club racing.

“If you call it a cruiser/racer, that’s some sort of hermaphrodite that is neither fish nor fowl, but is probably slower than a racer/cruiser, which is also a hermaphrodite but maybe looks racier than its cruiser/racer cousin.”

Whatever other people called his designs, it didn’t matter to him. Here is what he strove for in all his boats:

* Good looks and performance. “It has to be good-looking and it has to sail well.”

* Good balance.

* An airy, bright, pleasant interior. (“So you don’t feel like you’re going to jail when you go down below.”)

* A comfortable cockpit. (“Where you can work the boat without bashing your elbows or tripping over or whatever.”)

As for cruiser/racers and racer/cruisers, his philosophy was simple: “If you want to cruise for a while, you can do it by simply loading aboard the stores and some clothes, and just do it. If you want to race it, you can do that by off-loading some of the stores and gear and going racing.

A “good sailboat” like this wouldn’t be a successful racer under the International Offshore Rule “because it’s not an IOR boat,” said Mull. “But it’s probably going to be a better cruising boat than 99 percent of the cruising boats on the market, which are caricatures of cruising boats.”

Strong words from a strong character who was one of America’s most talented designers.

Today’s Thought

To me, the drawn language is a very revealing language; one can see in a few lines whether a man is really an architect.

— Eero Saarinen, NY Times, 5 Jun 77

Tailpiece

Rumor has it that the Feds are going to replace the dollar bill with a metal coin.

It’s called the quarter.